Posts Tagged ‘Disney

15
May
17

Web of Weird, Costumed “Superheroes” Making Internet Madness

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Where in the USA is this apparent cul-de-sac of costume collectors who buy every version of Spider-Man and Elsa on the rack and make countless online videos? What pocket of Silicon Valley hides these merchants of kiddy porn? It’s a web of weirdness.

I think I figured something out, though. The reason there are so many “Spider-Men” and Elsas in what appears to be a perpetually balmy state (no snow or autumn leaves in sight) is because those characters reside in colder climates. Spider-Man is a New York-born hero. I suspect these costumes are on clearance racks or dirt cheap on the west coast. [Just like NFL team merchandise for a southern team is cheaper way up north than it is in the home state.] Am I right?

And, what is the deal with all of these “surprise egg” videos that feature parents filming their spoiled kids unpacking an entire toy line in a single day? What value does any of this stuff have to these kids when they come to expect a shopping cart load every time Daddy or Mommy decides to dress them up and capture them on their “smartphone” or video camera? Or, are these just the kids of parents who work for toy companies, getting a dumpster full of freebies/samples?

Have I ranted about this, before?

My nephews often enough find themselves glued to these things. And, while I am all for costume parties with good taste, there is something a bit weird and…lazy?…about seeing grown people doing odd things in costume with special effects and props… I have one four-year old nephew who is already displaying a particular interest in older women, thanks to many a Spider-Girl and Elsa.

You like that, ladies? You like extremely younger men ogling you?

I was one, once. But, I only became infatuated once a week or month, if that. I didn’t have access to an endless supply of internet gratification (which, I would say, is not far off from those who obsessively watch porn).

My nephews can get Mommy’s phone-computer just about any time they want and look this stuff up. It’s so easy for them to do. Thanks, wireless convenience.

I suppose these videos might be made over a long period of time and are first coming to my attention. Maybe these people make one a year or one a month. Maybe they save up and work on the plot over a series of meetings between their “day jobs.”

Maybe I am a tad jealous I don’t have those special friends with which I could make similar videos. Then again, why be so juvenile or risk appearing freakish online for no gain other than some invisible “click” currency when I could be applying my talents and interest in costumes to bigger projects…liiike an actual feature film someone might buy a ticket to see?

Seeing my nephews scroll through and watch these repeatedly, I can’t help becoming agitated and wondering if there isn’t some special stretch of road in California where people get together in costume and do nothing but concoct weird plots to play out on the street and in their homes.

I picture an entire suburban L.A. block of homes shaded by palm trees and infested with people dressed as Spider-Man, Spider-Girl and Venom. On the next street, you might find Batman, the Joker and some kids in police uniforms with their Power Wheels vehicles in sight. And, somewhere in the middle, there’s a single apartment building where a few Elsas live, waiting to be summoned to star in one of these videos. [Who’d have thunk the most recent feature princess of sorts would become such a costume craze, almost a fetish.] When they’re not in costume, they’re wearing pajamas and living on bowl after bowl of Captain Crunch cereal. All of their furniture is either inherited or inflatable. The probably bathe in ball pits and brush their teeth with glittery Disney or Nickelodeon toothpaste.

And, breathe.

Okay, ‘got that out of my system. Moving on.

06
Jan
16

The Return of Originality

*****
A short time ago in this very galaxy, not far away, at all…

LEGACY WARS: The Return of Originality

 

lucas-kenobi-guidanceagainstdisneyempire_4-panel-spoof-starwars_ap4FJ

*****

Setting: It is high noon in the Tootoosoon Desert where we can see two suns in the sky. One red and one yellow.

A lone figure, Lank Fastwalker, trudges through the sand that once was fertile creative territory. Starved for teamwork and original thinkers like himself, he wanders in search of new direction. Seeing his beloved childhood turn dark, all that he believes in sullied and all of his favorite talents joining the dark side otherwise known as the Disney Empire, the flame that keeps him alive nears the end of its wick.

Fastwalker: That’s it. There’s nothing left. With remakes in every direction, why take another step? I might as well lay here and die with my withering creativity.

Then a voice calls out to him from the sky.

Casaba: Lank… Lank… Do not give up, Lank… I need you… The world needs you…

Puffy white clouds begin to take shape. At first, Fastwalker thinks the heat is getting to him. Then he sees a familiar face. It is Georgi Lu Casaba, the fire that lit Star Wars, a six-part story cut down to its second half, rejoined with the first half and then put into a blender before being called chapter seven.

[Fastwalker has mixed feelings about this guy. Though Casaba has created a rich source of inspiration for philosophy and costume design, Fastwalker blames him for the use of whiny protagonists who save the day too easily, greedy toy dealers and the insanity that is impulse shopping. Not as mad as other fans over the “prequels,” Fastwalker blew his top when Casaba sold his legacy to the Disney Empire.]

Georgi Lu Casaba expresses regret for making a bad sale.

Casaba: Though the Disney Empire had assured me of a luxurious retirement, including Kennedy Center honors, I did not know there were “white slavers” in the ranks, enlisting poor souls under insane rules, depriving them of individuality, threatening them for any breach of secrecy or less-than-enthusiastic answer when asked about their masters. I beg of you. Start a rebellion. Take back what was wrongfully placed in greedy, merchandise-mad hands that will not rest until the planet is nothing but landfills and abandoned Wal-Mart stores. Turn the archives over to trustworthy souls who will preserve them. And, if necessary, use force, Lank. Use physical force to break down the walls of Disney oppression. Put an end to their profits from the mutation of monopolized talents. And, spread the wealth.

The suns have nearly set before Fastwalker sees the light.

Fastwalker: You know. You’re quite the windbag when I’m sitting here, dying of thirst. I will need a handful of trustworthy allies, a fast ship and a big slice of your retirement fund to undo the damage. But, together, we will restore balance to this world, reduce pollution and brighten lives for generations to come.

With a plan in motion, Fastwalker bestows this wisdom upon the theater audience before the end credits roll: Be excellent to each other. And, is it too much to ask you to deposit your own garbage in the provided trash bins when you leave the theater? I know there is a cleaning crew. But, we wouldn’t need one if you didn’t pay ridiculous prices for unhealthy, unnecessary snacks.

After the end credits, Jar Jar Binks makes a cameo appearance only to learn his future will be cut short. A bounty has been placed on his head for his resemblance to General Goofy of the First Order (aka the Disney Empire).

jarjarbinks-title-blurb_spoof-starwars_ap2BJ

30
Dec
15

The Grinch That Stole the Other Empires

*****

A long, not too long time–somewhere between a year and the whole Y2K fad–ago…
In a home theater near you…

*****

lukesfather-vader-reveal-spoof_starwars_ap3J

Darth Vader: Luke! I…am your father!

Luke: No. Nooo. It’s not possible!

Darth Vader: Search your heart! You know it to be true!

Luke: No. You’re not telling me something. What is it? Why does this story start at chapter four?

[Taking off his helmet, Vader reveals creator George Lucas.]

George Lucas: Yes, son. Uh, I believe I could explain that. But, unfortunately, as I am too old now to relate to the increasingly younger target audience for just about everything, I’ve already sold you to another man-child.

[George removes his face, a rubber mask, to reveal J. J. Abrams, creator of LOST and the Star Trek movie “reboot.”]

J. J. Abrams: Hi, Luke. I’ll be speaking for George, now. Unfortunately, I cannot say too much without risking my life. You see. I took his baby under my wing while selling my soul to another company at the same time.

Luke: J. J. Abrams?! I lost five years of my life because of you! Bring George back!

J. J. Abrams: I would love to do that, uh, Luke. But, I am so afraid of making the slightest mistake to further upset the fans who nearly torched their collections after the “prequels” did so poorly. I am so afraid that I copied ninety percent of the original trilogy into the first film of my own in the series. So, I will have to turn my commentary over to the real boss of all this.

[J. J. removes his face, another rubber mask, to reveal Mickey Mouse, the iconic face of the Disney Empire which swallowed Lucas’ work and J. J. whole along with Jim Henson and Stan Lee (and their respective empires).]

Luke: No… No. Not you. You’re the worst of them all!!!

Mickey Mouse: Tough luck, kid. You’re mine now, b!t@h! Huh-huh!

[Luke chops off his own head in hopes of never being turned into a Goofy parody.]

[Jar Jar Binks pops into the scene only to annoy Mickey who doesn’t realize the similarity between one orange clutz and his long-time co-star, Goofy.]

Jar Jar Binks: Meesa taking over the physical comedy roles, now. Uck-yuck!

Mickey Mouse: Not if I have anything to say abou– Wait. Did you just say “Uck-yuck?”

THE END?

<<ALTERNATE ENDING>>

[Jar Jar Binks walks onto the scene in his usual clumsy fashion, greeting his boss, Mickey Mouse, aka Midas Minos.]

Jar Jar Binks: Meesa back, boss.

Mickey Mouse: Uuh…Huh-huh! Aren’t you forgetting something?

Jar Jar Binks: Oh. Meesa sorry. Ehem…Uck-yuck!

Mickey Mouse: That’s better!

[Mickey pulls a black cloak out of his sleeve and fits it over his head.]

Mickey Mouse: Welcome back, my beautiful spy. You’ve done well.
Of course, it was my brilliant design, naming you after the future director of a cash cow I have long sought to hold in the palm my rubber glove, giving you the subtle likeness of my pathetic half-brother, Goofy. How I hated when that Lucas project stole thunder from my theme parks, not to mention my movies. Now, it is all mine.

Where are the other horsemen of the monoplocalypse, your partners in crime? Where are Jeronimo Piventas, Ryander Reynosold and Sethos Rogenda?

[Mickey/Midas refers to other bounty hunters under his leadership who pose as actors you may know by other names: Jeremy Piven, Ryan Reynolds and Seth Rogen. These four “horsemen” have a reputation for destroying films.]

Jar Jar Binks: Meesa last saw them at Starbucks, passing along your plans for changing the name to Mickey’s Star Wars Coffee House.

Mickey Mouse: Excellent. Phase two of my plan is about to begin…three years from now in a theater near everyone! Uuh…Huh-huh! Uuh…Huh-huh-huh!

30
Dec
15

Back From the Dark Side…of the Theater

*****

Put away the zit cremes and Ovaltine. Take a deep breath. And, get ready to go geek-to-geek with one more lengthy, nit-picking but honest assessment of the latest “blockbuster” movie.

Okay. I saw it, the big spectacle of 2015, the film so many have been waiting for with some trinket of a past generation clutched nervously between their sweaty hands, the movie seasoned adults are supposed to inject into their inexperienced kids so they will continue to pick sides and wage wars between dark and light, the epic 38 years in the making handed over to the Disney Empire and the guy who put together LOST.

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The Good:

If you miss Luke, Leia, Han and the rest of the heroes who survived the 70s/80s films, they’re ALL back. The only characters who have not returned are the ghosts, the desert people, the Cantina regulars and a few members of the Sith/Empire. [But, it looks like one of the old crew wanted to nip this thing in the can by taking the big plunge. Shh!]

The visuals are spectacular. The 3D isn’t throwing much in your face, but the depth perception tricks are used well, including some intense spaceship fight scenes which make you feel like you’re living through a video game. Just about every environment is covered from desert to forest to snowy mountains. But, when you have Disney money backing your enterprise… Well, as the founder of Jurassic Park says, “Spare no expense.” I’d expect no less with all the modern technology and countless technicians/artists at one’s disposal. I imagine a massive army of stormtroopers sitting at drawing tables and beside film-processing mach–er, computers.

Lupita cannot lose. After being spotlighted for playing a slave, she becomes the red carpet fashion plate who rarely if ever misses with all of her stunning and trendsetting outfits. Now, she’s my favorite new character in the latest installment of this series. [I was semi-hoping she’d be cast as a Jedi with some sort of tribal face paint and eggplant robe.] You would miss her if you did not know her voice. No big spoiler here; she’s the yellow Yoda of the story. [I love you, Lupita/Maz.]

Daisy Ridley is a lovely heroine (even if she resembles the younger prequel Anakin crossed with Padme). But, what do you expect from the female lead? Everyone loved Leia (even if some criticized the “bun” hairdo). I loved Padme (but not all of her outfits). And, she uses her natural voice (which is refreshing when I think of all the Brits and Aussies using American accents in films). [I am guessing she gets the accent from her mother?]

Boyega’s Finn is a complicated man. No, he’s not Samuel L. Jackson (nor Richard Roundtree) but a good stormtrooper…er, bad stormtrooper turned good. …He’s with the Rebellion! Anyway, he’s a nice addition to the cast/story. [I like him slightly better than Lando. You know, Finn’s dad. Shh!]

Racial diversity is more apparent. And, women, well, two women, are added for more powerful roles…though one doesn’t do much. But, it’s a slight improvement on the original trilogy. [What about the “prequels?” There was a female bounty hunter in one of those, and she was badass.]

The whining I hated with the two previous trilogies is gone! Well…not exactly. There’s still a little whining and tantrum throwing by the Dark Side. It’s just restricted/sent to a private space sans rubber walls where the villain can slash the place apart. [It’s not like anyone is ever going to use those computers again, anyway.]

The star Jedi is NOT the one to strike the big, successful blow against the enemy! That’s right, it’s one of the smaller potatoes…who just happens to be the best pilot with dark hair.

A new R2 is used well. The little rolling ball of excited chatter is more likable than Number 5 from Short Circuit. [If you don’t know who that is, you’re obviously a prequel baby.] He’s sure to spawn a whole line of toys, speakers, other gadgets and remote control replicas.

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Is it just me or does the good list weaken as it reaches its end? Well, let’s get to the rest of it.
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The Bad:

In seven words, it’s Star Wars, the Vader saga, revisited. If you watch the Darth Vader trilogy and the new film together, you’ll pick up on matching character looks/types and repeated dialogue.

In five words, there is no new story. Well, that’s not entirely true. There are a few small surprises, tiny kernels of continuation forty years after Darth Vader falls. But, you’d think more would have changed. And, as they say in the movie, the Empire is gone. So…why are there still stormtroopers running amok under new leadership which looks EXACTLY like the old leadership? [Then again, what changed between World War one and two other than who started the fight and why?]

In three words, too much recycling. I think the crew (including the director) were so scared to try anything new after the barrage of hate mail flew at the “prequels” that they went a VERY safe route to please everyone. [I guess furry little creatures were too dangerous because there are none.]

Unfortunately, this hit rock bottom when the big surprise weapon was revealed. At that moment, my smile wilted. If you are following my train of thought, you can guess what awaits our heroes and devastates worlds. It’s been done! And, I am tired of this constant upgrade of power which only falls the same way the old power did, anyway!

I mean, seriously, J. J.! You put a toaster over the Tatooine lizard’s head. Some of the stellar visuals are reused…though perhaps at new angles or with new computer enhancements. Even the big surprise from The Empire Strikes Back is essentially given a face-lift with new characters in the scene. And, you killed one of my favorite characters!

If you’re going to kill one of my favorite characters, why not get rid of the stormtroopers, too? If anyone wants to use force, it’s me, using physical force to knock some sense into your head. [Don’t worry too much, you’re still better than the guy who ruined Transformers and who is probably raping the Ninja Turtles before a sequel to that remake as I speak.]

If you want the truth, J. J., I think you do better sticking with the revised Star Trek franchise. [I have only seen trailers and interviews, but it looks good.] I take no enjoyment from being a member of the hate police. But, I am rather sick of all the Star Wars “swag” and undeserved domination of science-fiction interest. And, even if you’re tired of hearing it, you slowly lost me on LOST. You spent all those years not telling people they were watching the Twilight Zone.

It’s still too quick and easy for the good guys to find the fatal flaw in the enemy’s plans (even if the enemy does some serious destruction first…and just as quickly/easily). Apparently, we come into the “story” at the moment when the “aha moment” hits. Again, that’s been used in the previous films. It smells of lacking plot to fill the space between “Here are your new cast members.” and “Here is how the enemy falls.”

The very first Star Wars to be made was the “best” chunk of a lengthy story possibly too big for Lucas’ mind to handle. He didn’t want to bore people to tears with a long, ongoing war. So, he cut it down to a highlight reel to sell tickets and save people from cardiac arrest (from too many hours planted in theater seats which were not as luxurious as they are now). Still, people felt the need to sell toys and related kids’ bedroom items before Christmas, stoking the fire of future collecting/hoarding/resale crazes. Then the story grew; it continued with a new stage of the same war waged on the snowy side of some planet and a third in a jungle occupied by little teddy bears with spears and rocks. And, in the end, the Empire’s emperor fell.

This is not the first rodeo for the “guardians of the galaxy.” [Yea, I used a Marvel title, also purchased by Disney.] Get on with the story. Write something new while properly representing the old; show progression. Or, tell fans you are remaking the originally released film with new effects/technology and let them decide how to feel about that. Me? I’d be looking for a red lightsaber if I saw another remake (though I do respect the effort to improve upon what may have been limited by technology at the time if it is closer to the artist’s vision and given his/her consent).

With a good writing team, this “story” could have spanned three films and saved the big explosion for the third (using a DIFF-ER-ENT weapon as the ultimate target). But, no, this is now Disney’s battle cruiser; and we know Disney has been recycling/rewriting old tales since Snow White. So, as I said, you get Star Wars in a new, shiny package with plenty of the old trilogy squeezed into one film for the old generation to pass onto the new. Heck, why watch the original films when Disney will repack them for you? I expect another “big weapon” to appear in the third repackaged film of this new series. Surprise me with something different. I dare ya.

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The Ugly…er, my final rating?

Out of 5 stars, I give this one 2 1/2, average. 5 star visuals with a 1-2 star story. Even 2 stars is generous for the recycling. And, as many already know, this isn’t the end of it. There are two more sequels to round out another trilogy. Knowing Disney, there are spin-offs in the works, probably throwing some more kid-friendly TV shows and movies to surpass what was once Droids and Ewoks. And, with that is sure to come even MORE merchandising which has already been insane. It’s enough to make you hate Christmas. And, we sure don’t need that.

One question for those who have seen the film: [Don’t read this if you have not seen it.] Why doesn’t Leia sense Luke’s presence when he contacts R2-D2 (if she can feel what happens to Han and is able to feel Luke throughout the original trilogy)?

If I could:

1) I would erase four of the previous six films, removing the bits from A New Hope that repeat in The Force Awakens and salvaging the good parts primarily from The Empire Strikes Back with traces of Return of the Jedi to complete the chapter. You could squeeze six weak stories into two good films or spread the pursuit of bringing down the enemy over three stronger than weak films.

2) And, yea, I’ll say it, I’d cast someone else as or rewrite Luke’s script so he doesn’t seem so whiny and naive with unbelievable luck. If there’s one character in the first trilogy to be made that bothers me the most, it’s Luke. [I’d love the films if the focus was on the relationship between Han and Leia.] C3-PO is a close second. He’s the robotic equivalent to Donkey in the Shrek films. I’d say he’s as bad as some think of…

3) I’d keep Jar Jar Binks in the prequels. Not because I want to further anger those who hate him but because he’s perfect for Disney who created Goofy and now holds the keys to the whole shabang. Cheers to Lucas on ensuring a luxurious retirement!

4) I’d keep the pod race but remove the lucky shot from The Phantom Menace.

5) I’d strip the Clone Wars down to the bare bones, re-purposing the sickly General Grievous (who was a bit of a disappointment), saving Count Dooku (who is just about as good as the actor was in the Lord of the Rings films) and sparing viewers the madness that is the excess of troopers along with the dragging factory and arena showdown scenes (except for the bit when Mace Windu chops off Jango Fett’s head).

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In short, see the new film to enjoy the ride. Just don’t invest much in it. Don’t hate the “prequels.” But, why are they considered such a failure?…for being different from the future? Is it possible the first three chapters of the six-part saga were changed to once again hopefully please more fans than they originally would have? At least, J. J. won’t be called a TRAITOR! [I’m just throwing in a word repeated in a few of Boyega’s scenes for whatever reason, not calling anyone a traitor, presently.]

And, for those of you who have had no interest in the Star Wars movies whatsoever, bless your hearts. You might have the last semblance of imagination to create new stories that span the stars. May the creative force, divine inspiration, be with all who read these words and use it wisely.

 

17
Dec
15

What Sells a Certain Sci-Fi Franchise?

*****

If I mention a certain series of sci-fi films that have literally canvassed the globe in heaps of stuff, you might get excited.  [Please, don’t wet yourself…or me.]  Or, you might complain how everyone else seems excited but you.  Some of you may be a little divided.  And, rightly so.  I am, too.

And, as another tide of the hype hits me from television media, I ask myself…what sells the movies?

1- Is it the story? 

What IS the story?  How much of a plot is there?  And, how much is just visual fluff and audio hypnosis?

If I give it serious thought, stripping away the sounds and light shows, I am not sure there is much of a story.  At least, it’s not very deep in detail.  I might have to put on reading glasses to find a plot.  It’s more like a slide show of a war in progress with some splashes of stopping to gab or clash with peers.  More “Hold onto your seat!” and “Great shot, kid!” than “We’re family?”

When a film ends, we think there was a story because it all flowed with the wash transition effects.  If there’s anything that confuses us, we dismiss it in favor of the colorful pictures imprinted in our retinas.  I know I walk away asking more questions than I have answers.  And, if the new director’s other notable TV project with a title of four letters says anything about his future projects, I can expect more of the same, becoming LOST in the fantasy imagery and flashes of emotion.

If there’s one grain of serious story in the films, it has to be the father-son relationship and the impact of genetics/evolution upon life.  There’s also the rise of good and bad powers in deceptive clothing and the occasional changing of sides.  So, there is some story…but it might be like chunks of cereal floating in a sea of milky spectacle and merchandise.  [More on the latter later.]

2- Is it the acting, the cast? 

Can I really say any actor stands out for a stellar performance?  Well, I can think of two actors in the films that stand out for me.  One hated how she was “forced” to look.  As a little green puppet would say, “Bad costumes lead to anger.  Anger leads to hatred.  Hatred leads to drunken and verbally explosive behavior laced with expletives.”

The other, a male secondary character/actor, has had more films with meatier parts and gone through some small changes over the decades.  In some ways, he should have been the lead.  But, not if it meant he had to be a whiny youth with all the luck…except for losing limbs and turning evil.  [“Stop whining, already!  Don’t make me turn this spaceship around, mister!  No one’s destroying an empire today with that attitude!”]   Then, I guess, being second billing isn’t all bad.  I might even prefer to be a chatty orange creature with big, flapping ears in Goofy clothing.  [That’s right.  That annoying chatterbox was a pre-Disney takeover Goofy wannabe.]

There are some serious creature haters out there.  Some question the use of little people in teddy bear costumes.  I call those audience assemblers.  The films broaden the audience base by changing the original conceptions for the story.  A slasher samurai story becomes a dazzling display of both serious and silly characters.  It’s a Muppet show!  Everyone can come…even if you are too young to process the heavy stuff.  Bring the family!  Buy more tickets!  Spend more on snacks to appease the restless ones!

3-Is it the music/sound effects? 

A very likely possibility.  There is definitely a sound buffet that dazzled ears when they first heard it.  Thank the orchestra and sound effect technicians.  There are iconic sounds that people will echo when the titles come to mind.  So, that much sticks with many if not most viewers.  You might pay twice to hear them, again.  [Or, you could seek the purchase of a soundtrack.]

4-Is it the visuals, the special effects and cinematography?

As I like to say, if you have the resources, anything is possible.  We’ve already highlighted the orchestra which could get pricey.  What does it cost to film on lavishly decorated sets, create countless models and mold goofy yet innovative costumes?  How much does a growing, glowing light sword cost?  Could someone with less or more money have done the same or better?

5-Is it the merchandising?

Well, you tell me.  How much of the “stuff” have you already bought?  How much do you enjoy it?  And, how much sits on a shelf, hoping to not get scratched, dinged or dusty?  I worry about those who feel the need to collect nearly everything if not everything ever made for a film.

There has been WAY too much merchandising for the latest installment.  I cannot express that enough.  It’s sick.  It does not bode well for the environment nor mental health.  What it DOES do well is guarantee more kids will have plenty and not go “starving” for what another kid has.  It spares envy and jealousy.  But, does every kid really need a stiff plastic replica of a guy supposed to be the most evil thing in the universe?…at least, until someone replaces him.

But, if merchandising blindsides the story, what sense is that?  If you care more about the stuff because you saw it displayed in a commercial window.  Look, I have the guy on the screen!  Are you really enjoying the stories/films or clinging to material things?  Shouldn’t the story sell itself?  Aren’t there other films you like as much that have no toys to go with them?  Aren’t you just as happy without the stuff?

So, even if merchandise boosts ticket sales, it seems excessive and misdirecting.  It smells like people trying to milk something for all it’s not even worth instead of being content with smiles for a good show.  I guess there’s nothing wrong with getting a sale while the selling is good…until I think of all the packaging and impulse/erroneous holiday shopping that leads to second-hand and dumpster madness.  When is enough enough?   And, what monstrous behavior are we encouraging with all this production?

[And, let me just say this.  It’s probably the merchandising that bothers me most of all.  It may be the reason I feel compelled to write such a post.  That and one empire swallowing another just to become more ridiculous.  The films write the story of their own demise.]

6-Is it the “hype?”

I think that’s obvious.  I like how an article I recently read puts it.  Empty interviews with people who have not even seen the film(s).  Let’s get the cast on camera as much as possible with people who have no clue to promote, package, sell it every way possible until all parties are puking swag and over-tired….until everyone looks at what should be a delight as just another job in which we augment our bodies to fit a part for someone’s amusement.

Who is amused?  Not those who make the films other than the few golden moments of fan appreciation that get washed away by financial dealings and the next project on a star’s radar.  How many actors actually see their own films…and like them?  “Thanks, everyone, but I need to focus on changing my body for the next role…I DO have another role coming up; don’t I?   Where’s my agent?  Don’t pigeonhole me.  Send money.”  How many ways or times can an actor be asked how a film “changed their lives” or “changed the world” with some bleached smile in their face?  How many B.S. answers must be given on camera to appease the masses that are driven by hype-mongers?

MOOOO-vies!  Get along, lil couch potatoes!  Yah!  Buy more stuff!  Throw it away and buy even more!  Yah!  Then, it’s onto the next one.  Yah!   So what if you have ten thousand little people in white suits of plastic armor, some missing limbs or burnt to a crisp because you felt you had the luxury to torture the excessive supply in your play room.  [That’s right.  I veered back toward merchandising.  Because it’s everywhere.]

So, in conclusion, yea, I will likely see the latest film.  But, I won’t fully enjoy it because I am so frustrated with the negative points.  I might have been a more loyal fan if the leads in the films didn’t annoy me so much and if there wasn’t such competition over the old stuff and excess of the new…which looks a lot like the old.  You can paint a soldier a dozen different ways.  But, he still smells the same.  New packaging, same product.  Still…well, you decide if its a winner or a loser.

May good conscience and judgement be with you.  With tremendous power comes tremendous concern for how one uses it.

[Damn it, Stan!  Why did you have to sell your empire off to Disney?   There.  I said it.]

 




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