Posts Tagged ‘culture

18
Apr
19

Digital Art Explosion, April ’19, Stage 3, Asian Business Trifecta

*****

Long ago in a computer not so far away, I conceived a hoop dream to open a pizza restaurant with a wide variety of pizzas not normally found in the average pizza place, including dessert pizzas which I have only found on rare occasion since the days I used to see cookie pizzas, regularly (back in the late 80s, early 90s).  And, rarely, are the dessert pizzas good.  I had one “cherries jubilee” hot dessert pizza only once; and it was quite inspiring.  So, after that “epiphany,” I conceived Lady Bonzai’s Pizza Internationale…not entirely sure about the spelling but liking the international feel of it.

Why Lady Bonsai?  Well, I’m partial to women in many ways and would put a female mascot of sorts on a pedestal like a Venus de Milo.  And, my astrology has a connection to trees.   Bonsai trees are known for being groomed/refined and kept somewhat humble.  Likewise, I’d want my businesses to be less “elite” and more welcoming, without sacrificing cleanliness and without expanding to…well, let’s say Starbucks levels.  So, in a way, this is a small-business model that will not take up some ridiculous amount of space and remain somewhat small/limited yet strive to honor a variety of interests and cultures.  If it thrives, it thrives based upon its quality and customer respect (which it requests to stay alive, just as a bonsai tree should be respected and tended with care), not its quantity.  Although, unlike the bonsai trees I know (maybe some produce fruit?), I expect my business model to produce a decent amount of fruit in the form of exquisite treats and souvenirs (merchandise) that is tailored to the product (a souvenir that complements the pizza/tea/movie) or to the business theme/logo.  So, for example, a “drive-in pizza” which comes with Lady Bonsai 3-D glasses or fake movie tickets.  It’s just a small way of sending the customer home with something to remember their visit.  But, if this becomes a hassle, too costly or wasteful, I’d skip it and focus on the product; that may just be a sign to “prune.”

Over the years, I’ve revisited the idea (with no serious business backing to even put this in motion, people) and corrected a few details.  And, most recently, as I’ve played with silhouettes for various projects, I’ve considered creating a trinity of businesses under the Lady *Bonsai* “umbrella.”  So, I present to you the following…

LadyBonsaiCP-ad-box-art-logo-Asian-kimono-pizza-sun-layeredsilhouette_ap-CSPP-sample-1600-1LadyBonsaiCT-ad-2-box-art-logo-Asian-casual-mug-reel-sun-layeredsilhouette_ap-CSPP-sample-1600-2LadyBonsais-IT-ad-3-box-art-logo-Asian-casual-mug-city-sun-layeredsilhouette_ap-CSPP-sample-1600-3

And, here are some related art pieces that came about around the time I had this canvas-backed vision.  I was on a cocoa-mug silhouette frenzy for a while.  I whipped up a bunch of variations on a sort of tapestry/valentine theme, sort of fusing Asian calligraphy/kanji and that “spell paper” concept with modern love notes, I guess?

risingsuntea-ad-cocoa-mug-beauty-Asian-layeredsilhouette_ap-CSPP-sample-1

friendship-byday-love-bynight-canvas-kanji-valentine-ticket-banner-layeredsilhouette_ap-sample-1

Translation:  LIT Friendship/Day/Composed (left) and Love/Night/Relaxed (right).  The oddly textured green mug is supposed to be a jade mortar of sorts, symbolic of the hare that crafts the elixir of eternal life/youth in the Asian moon festival stories.  This might be the woman who chases the hare to the moon, finally getting a chance to sip some magic…or the hare (herself).

cocoa-mug-beauty-Asian-heart-pizza-sodadrip-layeredsilhouette_ap-CSPP-sample-1

 

03
Apr
17

White or Right, My Views on “Whitewashing”

*****
So, there’s this bad odor going around called “whitewashing.” If you are oblivious to the concept, it basically refers to…well, it has a few uses, already. One being Caucasian people being cast in roles originally set for other nationalities. And, that is what tops my peeve list at the moment. Namely, a certain typically blonde actress being cast to play a raven-haired and distinctly Asian character from a “popular” anime about a female cyborg cop.

[Note I have omitted names and titles lest giving them more specific attention only add to the theory that bad press still adds to ticket sales. For the purposes of this editorial and my own amusement, I will refer to the cast actress as “Red Role-playing Hood” and the movie as “Robocop 4: Turning Japanese.”]

Some say “Red Role-playing Hood” sells movie tickets and that this is enough justification to cast her. Others plain and simple object to her being cast in this particular role, regardless of justification.

According to an article I read, one of the artists behind the original story says the character has lost her original human name and identity, thus she could be just about anybody of any race.

If that is the case, I’d have made a different film. I’d have designed the film as a spinoff of the original story, having “Red Role-playing Hood” play a similar cyborg who looks different. Heck, the protagonist could have any body or hair color she wants if she’s not the original character. The story could have remained the same or similar with some minor changes. There’s a whole series of Resident Evil movies out there now that aren’t exactly about the original game cast, focusing on some lab creation, instead.

Another article states the actress has said she would not take a role she felt would be viewed as offensive…buuuut she IS taking the role; and some find her choice offensive, or, at least, infuriating. Myself included.

I think she, like many, will take just about any role she can get. So, if someone handed “Red Role-playing Hood” the script, I doubt she would have turned it down, considering she is open to expanding her options and likes to play odd roles that may not suit her, roles other actresses would more likely turn down to avoid being judged “weird” or being asked to play more roles like this one instead of roles in other genres they prefer. Months or years from now, one of those actresses that passed on the film will speak out at some interview for another project and admit they passed on the role while subtly praising “Red Role-playing Hood” for being an “amazing” person with whom she worked or met at an awards show.

I say the whole notion of “Red Role-playing Hood” making better ticket sales than an actual Asian, or more specifically Japanese, actress–possibly a “nobody”–is hogwash. Even if “Red Role-playing Hood” draws a certain crowd, it’s as likely the crowd comes to see HER, not the character she portrays. And, considering she looks like a clown in some green-screen body suit and wig, I feel she should NOT be playing this part.

[I am asking would-be film makers.] Would a character written as an African woman be cast/rewritten as a white woman in disguise, as well? And, if the character did not look one bit like Thandie N., would you still cast Thandie N. to play the part because she’s the only dark-skinned actress you could get to take the part? Or, would you go out of your way to find a more perfect match for the character? Is it really so important to put a movie out before all the pieces properly fit? Or, are you so lustful for profits and jumping at any dog that barks that you’ll rush to blow a budget on a lesser prize?

Why was the Thing shorter than the rest of the Fantastic Four in the first films, featuring Jessica A. as the Invisible Woman? Was Michael C. cast because of ticket sales, because he fit the role…or maybe because no one else wanted the role and/or the costume designers couldn’t make him appear bigger…even if they have the technology to fake such things?

I didn’t care for Charlize T. playing Aeon Flux, either. Some people you just get used to seeing with a certain hair color and look. And, throwing them into some character that is completely different without proper blending of appearance just makes the whole image a joke. I don’t want to see a parody of the original story. Thus, I don’t want to boost ticket sales for this film. I’ll give it a try another way, as the modern world provides. And, all ticket sale crap can just fly out the window. It’s bullshit that can be skewed, anyway. [And, I throw all the award show nonsense into the same pot. Such a waste of time and resources with little regard for the source material.] It boils down to what you choose to believe.

[On the flip side, Hugh J. was so compelling as Wolverine, I put up with him being taller than most other X-Men, even though the character was fairly short in the comics.  He also wasn’t a “clown” in a costume.  He was authentically crass, fierce and embittered.]

I believe this instance is a form of “whitewashing.” And, an Asian “nobody” would have befitted the role better, regardless of popularity or anticipated profits. I would pay to see better casting, to see an Asian beauty play this part. And, ever since I started watching films like “The Curse of the Golden Flower” and even “Rush Hour 2,” I think Hollywood can find a few. Or, maybe, such films should be made by people closer to the source material; and, if Americans are so lucky, the film will be dubbed into English, and they will learn to like it.

A “blockbuster” can never smell as sweet as it would with the right cast. Why do you think certain “franchises” got “reboots” so fast? If casting didn’t matter, why was there a reboot, anyway?

Years from now, people won’t look back and, when thinking of this blonde in a black Asian wig, say, “Gosh, she was so perfect for that role.” They WILL say, “Gosh, she sure made lots of movies.” The actress will be regarded like a Marilyn Monroe. And, only fans who concede to give up their cultural roots–including all Asian folks who try to look “American”–will not care who played what part and just be happy a film about that cartoon was made.

It doesn’t matter who is turning what characters into their own nationality. It’s Caucasian Americans and British folks, today. Tomorrow, it could be Mexicans or dark-skinned Africans altering Caucasian characters.

Some if not most movie makers are just too concerned with budget and ticket sales to consider the impact and value of proper casting (and story writing). I may be surprised to see a film pitched poorly play well. But, I will not be steered into accepting poor casting.




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